Famous Paiter Painting

The first tree plantation .            Oil on canvas


S M Sultan led a life that was as colorful and dynamite as was his .He was born in a poor family, but poverty could not stand in the wave of his mobility He read in the prestigious Calcutta Government School Ots Art, and received generous support fem. his early mentor, the celebrated art critic Shamed  Suhrawardy. But Sultan's nature was against spreading roots anywhere, so he moved on, travelling to different regions of India. working all the while and selling his art work to whoever bought them.
After the partition of the subcontinent in 1947, Sultan to in Pakistan, then moved to England and USA. In London, his shown in an exhibition alongside those of Picasso and Paul Klee- he came back to Bangladesh, he spent part of his time in Dhaka, but mostly in Narail, Jessore, his home town, where 'he settled in the 1980s. Sultan began to raise a family, which consisted of a ot- pet animals, birds and snakes, and children. The birds and beasts found a sanctuary in his house, and the children found a safe He named the space he created for children Sishu Shot-go Children's Heaven.
Sultan had stayed away from the mainstream art practices of Bangladesh, pursuing his unique style and maintaining his focus on subjects from the life of the common people. He painted on large cuisses. and his peasants and workers always appeared larger than life brawny bodies and a single-minded dedication to the task at hand. The women and children too looked healthy, contented. This Sultan's dream of plenty and prosperity that he always had about the common people.

It is difficult to chronicle the life and work of an artist who created a unique tradition in and lived away from the limelight. 
Sheikh Mohammed Sultan (10 August 1923 - 10 October 1994; better known as SM Sultan, Bengali: এস এম সুলতান), was a Bengali avant-garde artist who worked in painting and drawing. His fame rests on his striking depictions of exaggeratedly muscular Bangladeshi peasants engaged in the activities of their everyday lives.[1] He is the son of Sheikh Mohammed Mecher Ali & Mochammed Meherunnesa.

For his achievement in fine arts he was awarded with the Ekushey Padak in 1982; the Bangladesh Charu Shilpi Sangsad Award in 1986; and the Independence Day Award in 1993.[2] His works are held in several major collections in Bangladesh, including the Bangladesh National Museum, the National Art Gallery (Bangladesh), the S.M. Sultan Memorial Museum, and the Bengal Foundation.

Sultan was born in Machimdia village, in what was then Jessore District, British India (now Narail District, Bangladesh) on 10 August 1923. After five years of primary education at Victoria Collegiate School in Narail, he went to work for his father, a mason. Even as a child he felt a strong artistic urge. He seized every opportunity to draw with charcoal, and developed his talent depicting the buildings his father worked on.[3] Sultan wanted to study art in Calcutta (Kolkata), but his family did not have the means to send him. Eventually, he secured financial support from the local zamindar and went to Calcutta in 1938.[4]

There poet and art critic Hasan Shahid Suhrawardy restyled him S. M. Sultan and offered him accommodation in his home and the use of his library.[3] Sultan did not meet the admissions requirements of the Government School of Art, but in 1941 managed to get in with the help of Suhrawardy, who was on the school's governing body.[4][5] Under Principal Mukul Chandra Dey the school deemphasized the copying of Old Masters and moved beyond Indian mythological, allegorical, and historical subjects. Students were encouraged to paint contemporary landscapes and portraits expressing original themes from their own life experience. c.Wikipedia

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